The Criterion Collection
Oct 13, 2016 — From its diffusely structured narrative to its innovative cinematography, this radical western is a showcase for Robert Altman’s iconoclastic style.
Essays
May 4, 2018 — What do we mean when we say a narrative film is poetic? The answer lies in this visionary western from director Jim Jarmusch.
Mar 11, 2008 — There’s no real rhyme or reason to explain which Criterion films I end up watching. For example, I saw Breathless over the holiday break after Abbey convinced me to give Godard a chance. Then I watched The Seventh Seal in...
Apr 19, 2021 — What lies beyond the grave? Human cultures across space and time have imagined many kinds of afterlives, from the attenuated shades of Hades to the lush paradise of the Islamic Jannah to the merger with the infinite anticipated by mystics....
Jul 14, 2020 — Bruce Lee seemed born to be on-screen. At three months old, he appeared as an infant in a Hong Kong movie called Golden Gate Girl (1941). After he died suddenly of cerebral edema in 1973 at the age of thirty-two,...
Features
Jan 15, 2017 — To make the performance of a tedious, exacting, time-consuming task riveting to watch, it is only necessary for the activity to be illegal.
Essays
Aug 25, 2014 — Love and death tango in Bob Fosse’s glittering ode to his own mortality.
Essays
Sep 26, 2011 — Toward the end of Olivier Assayas's Carlos, a young French diplomat's wife goes to answer the door of their flat in Beirut and is greeted by a huge bunch of flowers—which immediately disappears to reveal a gun that shoots her...
Nov 12, 2007 — What is left of Berlin Alexanderplatz, this endless canon of the sublime and the trivial, is thus a perpetuum mobile of the human dance of love and death.