Back To Search

Confidence

Sep 24, 2024 Films by Agnès Varda, Chantal Akerman, and Rungano Nyoni screen in the Metrograph series.

Sep 20, 2024 With their virtuosic celebrations of death, giallo films reflect the air of paranoia and fear that haunted Italian society in the 1960s and ’70s, a period when the country was undergoing dramatic, violent changes.

Sep 4, 2024 New York’s Metrograph showcases work by the renowned cinematographer with a special focus on his collaborations with Hou Hsiao-hsien.

Aug 20, 2024 Delon brought to the films of Melville, Visconti, Deray, and Losey one of the most beautiful faces in all of cinema.

Aug 13, 2024 In films that elude categorization, the Ukrainian director developed a boldly experimental aesthetic that evokes her mercurial inner dialogue and the leaps and stutters of her imagination.

Jun 13, 2024 Baker has selected seventeen films to screen in New York before her first feature opens next week.

May 6, 2024 Perhaps the most hard-to-categorize of the great Hollywood studios came into its own with a string of critically acclaimed films based on popular books and plays, including Born Yesterday, A Raisin in the Sun, and From Here to Eternity.

April Books

The Daily

Apr 24, 2024 This month brings a collection of Chantal Akerman’s writing, analyses of Ozu and Kubrick, and list of the best Hollywood books ever.

Jan 23, 2024 In the first ten years of her extraordinary career, the Belgian filmmaker used the raw materials of quotidian, marginal lives to spark a radical reinvention of cinema.

Dec 8, 2023 Roy Waller (Nicolas Cage), the jittery protagonist of Ridley Scott’s 2003 crime comedy Matchstick Men, doesn’t like to think of himself as a common crook. “I’m a con artist,” he insists, and—in a frenzy of self-justification—further explains: “They give me...

Current Page
4
of 26

You have no items in your shopping cart