The Criterion Collection
The Daily
Aug 10, 2017 — Ian Buruma, who’ll become the new editor of the New York Review of Books next month, has a piece in the new issue on The Memory of Justice, “the four-and-a-half-hour documentary that has rarely been seen since 1976 but is...
Essays
Mar 7, 2017 — With his unique blend of British realism and romantic fatalism, director Andrew Haigh exposes the quiet desperation at the heart of a long marriage.
Essays
Mar 30, 2015 — The astonishing intimacy and scope of this remarkable, aesthetically captivating epic ushered in a new era of narrative documentary filmmaking.
Essays
Aug 18, 2011 — Stanley Kubrick’s labyrinthine 1956 heist flick The Killing—an exploded rethink of John Huston’s The Asphalt Jungle and eventual template for the narrative convolutions of Reservoir Dog—became an instant facet in the jewel that was film noir, even as it refracted...
Dec 25, 2008 — Robert Rossellini’s efforts to put history into images would yield some forty-two hours of “didactic” movies, mostly for television.
Features
Jan 27, 2014 — The author’s encounters with the great Indian filmmaker.
On the Channel
May 14, 2026 — Channel Calendars This month on the Criterion Channel, set out on an epic journey with our Odysseys collection, or revisit the foundational Bond classics that introduced the silver screen’s most iconic superspy. A spotlight on Courtney Love’s acting career reveals...
The Daily
Aug 16, 2024 — While we check in this week on Jane Campion and Clint Eastwood, IndieWire reassesses the best of the 2000s.
Jun 1, 2022 — With his love of dissonance and bold use of dramatic motifs, the Hungarian-born composer Miklós Rózsa popularized a whole new style of film music.
The Daily
Jul 29, 2020 — The show must go on. The festival presents a lineup of new work from Frederick Wiseman, Kiyoshi Kurosawa, Ann Hui, Lav Diaz, Abel Ferrara, and more.