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Bicycle Thieves

Apr 16, 2021 Few motifs in Indian cinema are as potent, as laden with history and meaning, as the train. In 1955’s Pather Panchali, Satyajit Ray immortalized the railways as the symbol of an alienating modernity in a newly independent India; in a...

Aug 14, 2020 Appreciations of Kathleen Collins and Vittorio De Sica and interviews with James Mangold, Orson Welles, and Billy Wilder are among this week’s highlights.

June Books

The Daily

Jun 15, 2020 This month we’re looking at books on topics ranging from Japanese animation to Hollywood movie stars to jazz on the big screen.

May 18, 2020 It’s hard to imagine Hollywood without Frances Marion. The story of the screenwriter’s career is entwined with the story of Hollywood itself, from its pioneer days to the Golden Age. Part of Marion’s skill as a writer was how her...

Mar 18, 2020 People talk a lot about the way that Rita Hayworth looked. She was the Hollywood “love goddess,” with a sensational figure, a dazzling smile, and hair that fell in long, auburn waves. The pinup so iconic that her posters were...

Critics Laud Roma

The Daily

Dec 10, 2018 Alfonso Cuarón’s latest scores best film awards from critics’ groups in Los Angeles, Chicago, San Francisco, Philadelphia, and Toronto.

May 6, 2018 Cannes 2018 One of the major highlights of the ongoing, year-long celebration of the 100th anniversary of the birth of Ingmar Bergman will be the presentation of a 4K restoration of The Seventh Seal (1957) as part of this year’s...

Feb 13, 2018 Lucrecia Martel was at the International Film Festival Rotterdam this year not only to present Zama but also to deliver a masterclass. Giovanni Marchini Camia was there, and reports for Filmmaker: To illustrate her conception of mise en scène, Martel...

Jul 26, 2017 Shot by Carlo Di Palma, from Rome to New York is the title of the Film Society of Lincoln Center series celebrating the work of the cinematographer who worked with some of Italy’s greatest directors before moving to the States...

Jun 28, 2017 New York. “Rapturously received but mysteriously forgotten after its 1964 New York opening, Jacques Becker’s prison drama, Le trou (The Hole), returns, digitally restored, for a week at Film Forum,” begins J. Hoberman in the New York Times. “Becker served...

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