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Between Miracles

May 25, 2017 “Sergei Loznitsa’s documentaries are conceived as silent commentary,” begins Jay Weissberg in Variety. “His rigorously edited, coolly composed shots contain all the information needed for viewers to feel the weight of his argument. By contrast, his fiction films (My Joy,...

May 19, 2017 “Kornél Mundruczó’s Jupiter’s Moon is a messily ambitious and over-extended movie with some great images,” writes the Guardian’s Peter Bradshaw: “[L]ike his previous picture White God it leaves behind the somewhat torpid realist mannerisms of his even earlier films such...

Nov 11, 2015 There’s an infectious energy and excitement that radiates from the French actor and filmmaker Mathieu Amalric. This is palpable in his performances on-screen or on the stage, and it was in full force when he visited Criterion recently.

Jul 15, 2014 Among the brainiest of all horror movies, David Cronenberg’s film goes beyond shock to investigate a disturbing world of psychic mutation.

Apr 18, 2014 The following interview, conducted by Stig Björkman, originally appeared in Björkman’s 1999 book Trier on von Trier.

Jan 21, 2014 Bigger is better in Stanley Kramer’s crazily crammed slapstick epic, a timeless showcase for comedy genius.

Oct 23, 2013 If there’s one quality that separates John Cassavetes’s movies from almost everybody else’s, it’s the density of detail in the storytelling. His films need to be read closely, from beginning to end. There are no lulls with Cassavetes, no lapses...

Jun 11, 2013 Ingmar Bergman’s classic character study is a moving depiction of aging and regret but also joy and forgiveness.

Mar 18, 2013 Using a 1958 murder spree as a narrative springboard, Terrence Malick fashioned a fractured fairy tale about American innocence lost.

Dec 6, 2011 Ernst Lubitsch’s Design for Living (1933) is what sexy should be—delightful, romantic, agonizing ecstasy. And it’s not just sexy but also revolutionary, daring, sweet, sour, cynical, carefree, poignant, and so far ahead of its time that one could cite it...

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