Apuntes sobre la tortura y otras formas de diálogo

May 1, 2019 — With three, possibly four new films opening this year, Ferrara returns to New York to attend MoMA’s retrospective.

Mar 11, 2019 — It doesn’t take more than a few minutes of watching a Khalik Allah film to intuit that he’s a photographer. Over the course of just two documentary features, the thirty-four-year-old, New York–bred artist has developed an instantly recognizable style at...

Nov 29, 2018 — First Reformed, Eighth Grade, Roma, and The Rider emerge as early favorites.

Jul 24, 2018 — Yorgos Lanthimos will open the NYFF, and Claire Denis’s High Life will be among the world premieres in Toronto.

Apr 19, 2018 — With a mix of improvisation, balletic physicality, and slapstick humor, Hollywood master Leo McCarey crafted the most sublime of screwball comedies.

Jan 12, 2018 — The sixty-eighth Berlin International Film Festival is just over a month away now, running from February 15 through 25, and so far, we’ve seen first rounds of titles lined up for the Competition and the Panorama, Generation, and Shorts programs—as...

Jun 14, 2017 — New York’s BAMcinemaFest opens tonight with Aaron Katz’s Gemini and closes on June 24 with Alex Ross Perry’s Golden Exits. “Now celebrating its ninth year, this modest yet prestigious festival, so shrewdly curated, so reliably comprehensive a treasury of contemporary...

May 18, 2017 — “Todd Haynes’s films, intellectually rigorous and often profoundly moving, are fractured stories in which alienated, beautiful characters try to find love (or a certain likeness) in the delicate folds of real life,” begins David Ehrlich at IndieWire. “All of this...

Apr 12, 2017 — British director Jack Clayton elicited landmark performances from a host of great ladies of the cinema, including Maggie Smith, Deborah Kerr, and Anne Bancroft.

Nov 17, 2015 — Satyajit Ray began his filmmaking career by offering a vision of the young Apu, the character he would go on to follow throughout the three films of his stunning breakthrough epic.