Japan Cuts 2017

The Daily

Jul 13, 2017 — “The spirit of Seijun Suzuki, patron saint of avant-garde Japanese filmmakers, presides over the Japan Society's 11th annual Japan Cuts program, a consistently exciting survey of innovative Nipponese cinema,” writes Simon Abrams at the top of his preview for RogerEbert.com....

Apr 27, 2017 — In his latest film, director Daniel Raim explores the legacy of two Hollywood veterans whose highly influential six-decade career has long gone unsung.

Feb 5, 2014 — Performances We don’t often talk about documentaries as featuring performances. But consider the highly performative people at the centers of Grey Gardens, General Idi Amin Dada, and last year’s The Act of Killing, or even the seemingly more modest souls...

Jan 20, 2014 — Aki Kaurismäki pays wry tribute to the starving artist in his sad and funny update of Henri Murger’s classic book.

Oct 4, 2011 — The spectacle of joyless lubricity and dehumanizing cruelty and carnage visualized by Pier Paolo Pasolini could not be further from the dry, dense, and circular arguments to be found in the printed pages of his bibliographic sources.

Jean Vigo

Essays

Aug 31, 2011 — Let there be no trouble, no pranks . . . Do you realize the enormity of our moral responsibility? —Headmaster in Zéro de conduite There is nothing in the history of movies that mirrors or matches the achievement of Jean...

Jul 9, 2007 — Hiroshi Teshigahara’s late work is a masterful amalgam of high international modernism and traditional Japanese fine arts.

Jul 10, 2006 — In his unpredictable daily encounters with the gorilla Koko and her teacher, Barbet Schroeder foregrounds the quiddity of Koko’s situation in episodic fashion.

Schizopolis

Essays

Oct 27, 2003 — Attuned to the ineffable weirdness and crushing mundanity of workplace paranoia, Steven Soderbergh’s film finds anger and sorrow in the way we brutalize our means of communication

Sep 23, 2002 — René Clair’s early sound film is an iconic vision of lower-class Paris bursting with charm and romance.

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