The Criterion Collection
The Daily
Apr 18, 2019 — This year promises a healthy mix of renowned auteurs and younger talents—and there’s more to come.
Oct 23, 2006 — The New Zealand director’s debut feature is a bridge between her tentative, probing film school works and her subsequent female character studies.
Sep 19, 2005 — Jane Campion is a rarity, not simply because she is a world-class female director, but because she has devoted her career to exploring female subjectivity.
The Daily
Dec 16, 2022 — This week: Molly Ringwald and Caroline Champetier on Godard, interviews with Tony Kushner and Park Chan-wook, and the new Brooklyn Rail.
Features
Jun 4, 2019 — The great Hollywood portrait photographs are like close-ups that never end. Cinema is an art of faces, and the chance to gaze at them, to get lost in them, may be the deepest thrill movies offer. In the darkness of...
The Daily
Jan 1, 2018 — One of the most intriguing films we can look forward to in the new year is Claire Denis’s English-language debut, High Life. “I’ve always been interested in science, in astrophysics,” Denis told the Hollywood Reporter’s Scott Roxborough in November. “But...
The Daily
Oct 8, 2017 — Lady Bird screens at the New York Film Festival this evening and tomorrow night, and we begin with Filmmaker’s Scott Macaulay: “Greta Gerwig makes her directorial debut with this controlled, coolly compassionate and autobiographical-feeling post-9/11 teenage tale. Saoirse Ronan plays...
Interviews
Sep 16, 2014 — The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...
Mar 27, 2018 — At the height of his career, Ken Russell brought D. H. Lawrence’s classic exploration of human sexuality to the screen with frank eroticism and visual panache.
On the Channel
Nov 11, 2016 — This week’s Friday Night Double Feature on the Criterion Channel demonstrates how much suspense a superb director can wring from an intriguing premise without resorting to yelling “boo!” or splashing gore.