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– Every Night at Eight

Mar 1, 2022 The first film I saw at last year’s Morelia International Film Festival opens on the image of a freshly dug grave. Shovelfuls of earth fall into the open pit as two doctors stand above it, lamenting the loss of yet...

Aug 12, 2021 Gleaning the best of Cannes, Berlin, and Sundance, NYFF programmers have selected thirty-two features from nearly as many countries.

Aug 8, 2021 This month on the Channel, dive into the films of John Huston, Jean Harlow, Josephine Baker, and other cinematic icons.

Apr 15, 2021 Catherine Breillat and Todd Field are getting back behind the camera, while Scorsese and Spielberg forge ahead with their latest projects.

Jan 14, 2021 Herman Mankiewicz—a washed-up Hollywood screenwriter writing the first draft of Orson Welles’s 1941 biopic about William Randolph Hearst—may seem an unlikely hero for a 2020 biopic. He is rarely remembered today outside of cinephile circles, but in telling his story,...

Nov 25, 2020 “Yes, life is a dream, but sometimes that dream is a fatal abyss.” Wanda in The White Sheik (1952) I have a vivid memory from the first film-studies class I enrolled in, a class on Italian neorealism, where the weekly...

Oct 13, 2020 I know I need somethingOr someone. From “Cotton Candy on a Rainy Day” (1978), by Nikki Giovanni While the screen is still dark, Gladys Knight’s voice drifts in, in a strong, sincere belt: “How can I / Work out this...

Sep 16, 2020 When I think of Albert Brooks, the first image that invariably comes to mind is that of a worry-stricken man desperately impressing his anxieties upon a bemused, notably less nebbishy partner, presenting an elaborate case for the legitimacy of those...

Sep 11, 2020 As Toronto opens, here’s an overview of early critical response to some of the festival’s titles arriving directly from their premieres in Venice.

Jul 29, 2020 The show must go on. The festival presents a lineup of new work from Frederick Wiseman, Kiyoshi Kurosawa, Ann Hui, Lav Diaz, Abel Ferrara, and more.

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