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Sep 9, 2018 — Under the Influence Whether he’s exploring the dynamics of a family in crisis or putting his own spin on the body horror genre, Norwegian director Joachim Trier always returns to the subjective experience of time and memory as a central...

Sep 7, 2018 — For the Criterion Channel original series Art-House America, now playing on FilmStruck, we recently visited the Texas Theatre in Dallas, a venue that became infamous as the site where Lee Harvey Oswald was arrested and now hosts a variety of imaginative...

Sep 7, 2018 — F ew filmographies encapsulate the rebellious spirit of American cinema in the seventies better than that of Hal Ashby, who crafted an astonishing string of movies that stretched across the span of the decade. Finding success as an editor early...

Sep 7, 2018 — Hoberman on Romero, Anderson on Godard, Gallagher on Ford, filmmakers’ top fifties, and more.

Sep 6, 2018 — New films by Jennifer Kent, Jacques Audiard, Paul Greengrass, and Pablo Trapero.

Sep 5, 2018 — It took a while for Paul Feig—the director behind such smash-hit comedies as Bridesmaids and Spy—to come around to the darker side of cinema. Back in his college days, the filmmaker appreciated the superior technique of the dramas and foreign films he saw in his...

Sep 5, 2018 — Training its patient gaze on the vicissitudes of domestic life, Ingmar Bergman’s Scenes from a Marriage is a showcase for high-wire acting, requiring its two stars to chart a winding trajectory from love to betrayal to reconciliation. By the time shooting...

Sep 4, 2018 — Natalie Portman sings, Willem Dafoe paints, and Frederick Wiseman heads to Trump country.

Sep 3, 2018 — The producers behind our edition of Tomás Gutiérrez Alea’s masterpiece share stories they discovered from researching the film and the turbulent political climate that inspired it.

Sep 3, 2018 — Here’s how the competition is shaping up so far.