The Criterion Collection
Criterion Designs
May 6, 2020 — Once seen, the opening credits of Juraj Herz’s pitch-black satire The Cremator (1969) are not soon forgotten. At the beginning of the handcrafted, collage-style sequence, a still close-up of the protagonist’s head, from the eyes up, takes over the screen,...
The Daily
May 6, 2020 — What if the Hollywood of the 1940s were less racist and homophobic than the America of the 1940s?
Features
May 4, 2020 — “You’ve never seen prairie grass with the wind leaning on it, have you, Diz?”Jean Arthur asks this poetic, expressively peculiar question of Thomas Mitchell in Frank Capra’s 1939 Mr. Smith Goes to Washington, and we understand her yearning for truth...
The Daily
May 1, 2020 — Everyone’s eager to make, show, and watch movies in theaters again. In the meantime, here’s plenty to see, hear, and read at home.
The Daily
Apr 30, 2020 — Festivals scheduled through August are taking their editions online, while studios and theater chains face off over digital releases. Here’s the latest on the impact of the virus.
Production Notes
Apr 29, 2020 — Perched high above the spa town of Nebelsbad, amid the snow-capped Alpine peaks of the Republic of Zubrowka, sits a sprawling resort that in its old-world heyday served as the epitome of European luxury. For the historical caper The Grand...
Apr 28, 2020 — “Fuck! Fuck you fuck me fuck old people fuck children fuck peace! Fuck peace.”Miranda July shouts at her car’s steering wheel. With a black Sharpie, she scrawls FUCK in huge letters on the inside of her windshield. She drives. Sunlight...
Apr 28, 2020 — I first fell in love with Miranda July’s work with her strange, wild, poignant short stories; her stories led me to her novel and first two feature films, which I watch so often that they have over time become spiritual...
The Daily
Apr 28, 2020 — Twenty of the world’s top festivals, including Cannes, Venice, Berlin, and Sundance, will take part in a free global event.
The Daily
Apr 24, 2020 — Paul Schrader and Petra Costa are among the filmmakers determined to make the most of what they’ve got during lockdown.