The Criterion Collection
Feb 17, 2014 — Flailing fathers, anxious mothers, and their moody offspring—these characters may have tails, but they’re Wes Anderson people through and through.
Sneak Peeks
Feb 6, 2014 — Who better to explain what an auteur of the cinema is than one of the originators of auteur theory? In his famous 1954 essay “A Certain Tendency in French Cinema,” published in Cahiers du cinéma five years before the release...
Feb 5, 2014 — Performances We don’t often talk about documentaries as featuring performances. But consider the highly performative people at the centers of Grey Gardens, General Idi Amin Dada, and last year’s The Act of Killing, or even the seemingly more modest souls...
Essays
Feb 4, 2014 — When François Truffaut was a twenty-three-year-old film critic, in 1955, he read an autobiographical first novel by a seventy-four-year-old writer, Henri-Pierre Roché. “The book overwhelmed me,” he later recalled, “and I wrote: If I ever succeed in making films, I...
Features
Jan 30, 2014 — Growing up with the epically zany, star-studded comedy.
Jan 28, 2014 — Terence Davies beckons the viewer into a private world of moods and sensations with this exquisite childhood reverie.
Jan 24, 2014 — Did You See This?• Weekend’s Andrew Haigh comes to HBO. • At the Oscars, more is less, says Mark Harris. • The Big Apple, Scorsese-style • Neil Bartlett on Derek Jarman • Richard Linklater’s most dazzling time experiment yet? •...
Short Takes
Jan 24, 2014 — Aki Kaurismäki first read Henri Murger’s Scènes de la vie de bohème in 1976. The highly influential 1851 book—an episodic novel about a group of starving artists that also inspired Puccini’s 1896 opera La bohème—captured the Finnish filmmaker’s imagination and,...
Criterion Designs
Jan 22, 2014 — When it came time to assemble the Criterion release of It’s a Mad, Mad, Mad, Mad World, using Jack’s classic art was a no-brainer, and we were thrilled to find the man himself willing to revisit the film and provide...
Sneak Peeks
Jan 21, 2014 — For his leading role in Michael Mann’s Thief, James Caan had a lot more to do than just embody perfect cool. His character, Frank, is an ex-con with a particular aptitude for breaking into hard-to-crack safes. Unbeknownst to the actor...