Be With You

Jan 23, 2018 — Mandy, screening in the Midnight program at Sundance, “is a midnight-movie festival unto itself,” declares A. A. Dowd at the A.V. Club: “over two gonzo hours, it combines giallo, Clive Barker, Death Wish, prog rock, heavy metal, Heavy Metal, Guy...

Jan 23, 2018 — Last week we saw the first four titles lined up for this year’s Berlin Critics’ Week, the independent program that, like its counterparts in Cannes and Venice, runs parallel to its city’s big festival, the Berlinale. Below, an overview; you...

Jan 21, 2018 — “Filmed entirely within an emergency call center, Danish director Gustav Möller’s The Guilty (Den skyldige) is a claustrophobic thriller that finds fascinating ways to transcend, spiritually, its confines,” begins Bilge Ebiri in the Village Voice. “Pretty much the whole film...

Jan 19, 2018 — New York. Starting today at MoMA, The Banishment (2007), “the second feature from the Russian director Andrey Zvyagintsev, is finally receiving a run in New York more than ten years after its lead, Konstantin Levronenko, took the best-actor prize at...

Jan 18, 2018 — To Save and Project: The 15th MoMA International Festival of Film Preservation opens tonight with William K. Howard’s Transatlantic (1931; image above), “a pre-Code comedy firmly set during the golden age of ocean travel,” as Caroline Golum notes at Screen...

Jan 14, 2018 — Let’s begin with a round of interviews. In his latest “Streaming” column in the New York Times, Glenn Kenny talks with John Pierson about Split Screen, the television program that debuted on IFC back in 1997 and is now streaming...

Jan 9, 2018 — Before we take another look back at the best (and today, the worst) of 2017, let’s note that, for Grasshopper Film, Radu Jude (Aferim!, Scarred Hearts) has listed, in chronological order, his eleven favorite films of the past ten years....

Jan 7, 2018 — This past Christmas Eve, Jonas Mekas—filmmaker, poet, critic, co-founder of the journal Film Culture and New York’s Anthology Film Archives—turned ninety-five, certainly occasion enough for IndieWire’s Eric Kohn to get a few words with him. They discuss government support for...

Jan 7, 2018 — The updates to the entry on Paul Thomas Anderson’s Phantom Thread are still rolling in, and one of the most recent ones links to Sheila O'Malley’s cover article for the new issue of Film Comment. “Unlike other clichéd Great Men...

Jan 4, 2018 — Even as we look ahead to the films we’re hoping to see this year, there’s still some 2017 sorting to do. And let’s begin with Farran Smith Nehme’s refreshing list of some of the older films she caught last year....