The Criterion Collection
Oct 2, 2025 — In Wes Anderson’s romantic ode to journalism, the director grapples with the danger and horror inherent in any field of endeavor worth pursuing.
Oct 24, 2024 — The director of such classic political docudramas as On the Bowery and Come Back, Africa defied the conventions of nonfiction filmmaking with his innovative approach to collaboration and performance.
The Daily
Sep 18, 2023 — Winners and runners-up include American Fiction, The Holdovers, Dicks: The Musical, and Dear Jessi.
The Daily
Jun 2, 2023 — This week we’re spotlighting Ken Jacobs, queer cinema in the 1990s, and the return of the afro-horn.
Essays
May 30, 2023 — What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.
The Daily
Dec 10, 2022 — Screening the Past returns, Another Screen presents films from Iran, and Céline Sciamma talks about the thirtieth greatest film of all time.
The Daily
Nov 9, 2022 — New York’s Metrograph presents films by Park Chan-wook, Bi Gan, Ang Lee, Johnnie To, and Michael Mann.
The Daily
Aug 26, 2022 — Louise Brooks, Marguerite Duras, Lucrecia Martel, and Jacquelyn Mills headline this week’s roundup.
The Daily
Apr 20, 2022 — Running parallel to Cannes, two independent programs will present work ripe for discovery.
The Daily
Nov 12, 2021 — A new podcast delves into the life and work of Chantal Akerman, and Reverse Shot opens a new symposium.