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Two in One

Aug 12, 2010 One of the most challenging aspects of our work is to get accurate color for films when there are no filmmakers to consult with. This is especially true of films from the fifties and sixties, for which cinematographers, directors, editors,...

Mar 2, 2010 If the harrowing, formally daring Hunger, just out in Criterion Blu-ray and DVD editions, left you wanting to deepen your acquaintance with director Steve McQueen’s visceral imagery, you’re in luck, at least if you live in the New York area....

Claude Berri, 1934–2009

Production Notes

Feb 24, 2009 On January 12, French cinema lost one of its truest enablers. Claude Berri was as well-known for his support of cinema, both financial and critical, as he was for his own filmmaking. The actor turned director-writer-producer made twenty-three films (the...

Jan 13, 2008 Certainly one of the wildest, most original, and most instinctive movie stars turned auteurs in the Hollywood annals, Cornel Wilde made procedurals of uncivilized survival, in a visual syntax that ranges from comic-strip splat to outright gut punch.

Nov 30, 2006 We've been all over the city in the past couple of days, lugging around the fourteen-pound Janus box in a prototype Janus tote, feeling a little like traveling salesmen, but it's okay, because Paris is just so beautiful, even on...

Kanal

Essays

Apr 25, 2005 In Andrzej Wajda’s masterful antiwar film, we see scarcely a single combat death, yet the dark radiance of doom haloes one and all.

Mon oncle

Essays

Jan 5, 2004 Jacques Tati’s second tale about the whimsical wanderer Monsieur Hulot, this classic comedy presents a world in which characters are defined solely by their actions.

Mar 19, 1996 “[He] loves to set his figures in action against greenish or purplish backgrounds, in which we can glimpse the phosphorescence of decay and sniff the coming storm.”—Charles Baudelaire, writing on Edgar Allan Poe What’s striking about Seven is that the...

Osaka Elegy

Essays

Jun 5, 1995 Kenji Mizoguchi departed abruptly from his earlier sentimental films into a world of acute realism with this bold critique of the position of women in contemporary Japanese society.

Jan 11, 1994 A harrowing nightmare about life in inner-city hell, this 1993 sleeper-hit is a powerhouse filmmaking debut by the Hughes brothers.

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