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Mar 5, 2014 — A few years ago, as I was collaborating on the Criterion release of Last Year at Marienbad, I had the chance to meet Alain Resnais. We had released Hiroshima mon amour and Night and Fog a few years earlier, and...

Mar 4, 2014 — The great documentarian Claude Lanzmann’s new movie, made from footage he didn’t use in Shoah, provides a fascinating glipse at the way he began that monumental project.

Mar 2, 2014 — The author shares his memories of the French filmmaker, who died on Saturday.

Feb 28, 2014 — The Great Beauty, which is up for best foreign-language film at Sunday’s Academy Awards, feels at times like a glorious throwback to a time when art-house cinema reigned. Feeling nostalgic for that era, when films by the great directors of world...

Feb 28, 2014 — Other first films exude the sparkling joy of filmmaking that one feels in Breathless, but how many can boast its sure-handedness?

Feb 27, 2014 — Roman Polanski’s film is a highly sophisticated adaptation of Thomas Hardy’s classic novel, in both its faithfulness and its divergences.

Feb 27, 2014 — Paolo Sorrentino was in the Criterion office recently to do publicity for his Oscar-nominated film The Great Beauty, and while he was here we thought we’d ask this cinephile a few questions about movies. In this short, casual interview, he...

Feb 21, 2014 — Did You See This?• Billy Crystal remembers Sid Caesar. • Paolo Sorrentino talks Oscars and more. • Behind the scenes with Stanley Kubrick • Revisiting High and Low • A Tarkovsky poem • Jim Jarmusch vamps • Refurbished Umbrellas •...

Feb 19, 2014 — Alfred Hitchcock’s second Hollywood film, Foreign Correspondent, is a killer caper—but due to what was going on in the world during its production, it’s much more than that. Following an American journalist investigating an escalating war in Europe, the film...

Feb 18, 2014 — The immediacy of an ongoing war electrifies Alfred Hitchcock’s suspenseful second Hollywood feature.