The Criterion Collection
May 19, 2018 — The full list of awards and a look back at what many consider to be the strongest edition in years.
The Daily
May 18, 2018 — And Sergei Loznitsa wins the best director award for Donbass.
The Daily
May 14, 2018 — Few critics come to the defense of this story of an all-female Kurdish combat unit.
May 6, 2018 — In his final masterpiece, Sergei Eisenstein revolutionized the screen biography, departing from the conventions of the genre to mount some of his boldest experiments. Ivan the Terrible, a two-part epic about the notorious Russian Tsar, is fueled by what the great director-theorist...
The Daily
Apr 27, 2018 — A survey of the films in this year’s Cannes competition lineup and predictions of what will take home the top prize.
Mar 16, 2018 — Martin Scorsese talks with critic Kent Jones about some of the techniques that helped bring the film’s depiction of Gilded Age Manhattan to life.
Short Takes
Mar 5, 2018 — On the anniversary of his birth, we look back on the films of Pier Paolo Pasolini, one of the most radical figures of Italian cinema.
On the Channel
Feb 27, 2018 — In a new episode of Observations on Film Art, film-studies scholar Kristin Thompson analyzes the lyrical techniques in Raymond Bernard’s brutal war drama Wooden Crosses.
Sneak Peeks
Feb 16, 2018 — Critic Maitland McDonagh incisively examines the character of Clarice in Jonathan Demme’s The Silence of the Lambs and how her perspective as a woman informs the way she sees forensic evidence.
Feb 7, 2018 — In this excerpt from a supplement on our edition of Elevator to the Gallows, jazz legend Miles Davis plays his improvised score to projected images from the film.