The Criterion Collection
Features
Jun 4, 2018 — For the production design on Mishima: A Life in Four Chapters, director Paul Schrader turned to famed graphic designer Eiko Ishioka. The below images of her groundbreaking sets, as well as this excerpted text, first appeared in the 2000 book...
Jun 4, 2018 — An exhibition draws comparisons and contrasts between the works of the father and son.
Criterion Designs
Jun 4, 2018 — Studio Visits New York–based painter and illustrator Riccardo Vecchio has made a name for himself with his evocative portraits and cityscapes. But for the last few years, he has returned to his Italian roots, devoting himself to depicting the Alpine mountains...
May 31, 2018 — Back in 1977, when One Sings, the Other Doesn’t premiered at the New York Film Festival, Molly Haskell wrote that Agnès Varda’s radical feminist musical had done “for the spirit of sorority what the films of Renoir and Truffaut have done...
In Theaters
May 31, 2018 — Repertory Picks On Saturday evening, the Bay Area’s Berkeley Art Museum and Pacific Film Archive will play host to Stanley Kubrick’s Barry Lyndon, screening as part of the series Early Music on Film. (The two-week program is itself part of...
The Daily
May 30, 2018 — The Bergman 100 celebration brings us two new documentaries—and some terrific artwork, too.
The Daily
May 30, 2018 — A new website and two translations of her memoir will extend the Belgian filmmaker’s legacy.
May 29, 2018 — John Schlesinger’s Midnight Cowboy is a milestone along several different paths of movie history, all of which converged at the majestically seedy crossroads of Times Square in the spring of 1968.
May 27, 2018 — Les Parents terribles features the stars of Beauty and the Beast, Jean Marais and Josette Day.
On the Channel
May 24, 2018 — In the 1940s, legendary British filmmaking duo Michael Powell and Emeric Pressburger took the eye-popping, beautifully saturated palette of Technicolor to delirious new heights. For this month’s episode of Observations on Film Art, now playing on the Criterion Channel on FilmStruck, scholar Kristin Thompson explores...