In This World

Aug 1, 2017 — New York. The Film Society of Lincoln Center has announced that its retrospective Jane Campion’s Own Stories will run from September 8 through 17. “For four decades now, Campion has moved freely across genres—family melodrama (Sweetie), gothic romance (The Piano),...

Jul 30, 2017 — “Everybody knows what’s wrong with Hollywood—the vacuous parade of tentpole blockbusters; the refusal to diversify both in front of and behind the camera; the confusion in the face of disruptions by Netflix and Amazon; the single-minded lust for the 13-year-old-male...

Jul 3, 2017 — With its ability to capture and reshape the surface of reality, cinema is uniquely equipped to probe the complicated relationship between the visible world and the emotional and psychological truths that lie beneath it. In Changing Faces, a new series...

Feb 8, 2017 — In her award-winning 2016 film Cameraperson, documentary cinematographer Kirsten Johnson turns the spotlight on her own work and yet rarely appears on camera. Instead, we hear her voice off-screen, emerging intermittently throughout the film’s elliptical assemblage of outtakes, which are...

Sep 16, 2016 — Critic Phillip Lopate explores the duality of the director’s approach to his female protagonists and asks whether his films are proto- or antifeminist.

Mar 9, 2016 — Earlier this year we were proud to release Swedish director Jan Troell’s two-film epic, The Emigrants (1971) and The New Land (1972). The films, starring Liv Ullmann and Max von Sydow, are based on Swedish author Vilhelm Moberg’s four-part series...

Dec 8, 2015 — The Sundance Film Festival’s 2016 documentary premieres lineup, announced yesterday, will feature Richard Linklater—dream is destiny, the directorial debut of Louis Black.

Jul 23, 2015 — The composer is credited with scoring eleven films for Bergman—among them Smiles of a Summer Night (1955), Wild Strawberries (1957), and The Magician (1958)—the last being The Virgin Spring (1960), with its evocative use of medieval instruments.

Jun 2, 2014 — One Scene When I first heard about The Human Condition (1959–61), I was already familiar with director Masaki Kobayashi’s irreverent Harakiri (1962), a favorite film of mine where samurai are scum of the earth and honor is equivalent to dirt....

May 28, 2013 — Mike Leigh’s breakthrough is a funny film about serious things, and an emotional and slyly political take on consumer culture.