The Criterion Collection
The Daily
Dec 10, 2017 — Awards season brings us not only lists and prizes but also roundtables. The Los Angeles Times’ Mark Olsen’s recently led a conversation among seven directors: Darren Aronofsky (mother!), Sean Baker (The Florida Project), Kathryn Bigelow (Detroit), Guillermo del Toro (The...
The Daily
Oct 23, 2017 — The week starts off with a new trailer (embedded below), poster, and, via Jordan Raup at the Film Stage, an official synopsis for Paul Thomas Anderson’s Phantom Thread:Set in the glamour of 1950s post-war London, renowned dressmaker Reynolds Woodcock (Daniel...
The Daily
Aug 29, 2017 — We’re “in dire need of revolutionary narratives,” writes Dan Hassler-Forest. And he grants that a few Hollywood blockbusters have made a stab at it, specifically calling out The Hunger Games, Rogue One, and Mad Max: Fury Road. “But Hollywood’s most...
Aug 22, 2017 — French cinema titan Sacha Guitry brings a savage misanthropy to this exploration of a toxic marriage and the arbitrariness of the legal system.
The Daily
Jun 5, 2017 — Catherine Grant points us to the new issue of the open access journal Film-Philosophy. Before we begin paging through it, let’s have a look at a piece by Benjamin Crais which the Notebook ran last December:For Anglophone readers, Jean Louis...
Features
Oct 31, 2016 — In her latest column, critic Imogen Sara Smith explores landmark moments in the intersection of noir and the western, including Marlon Brando’s One-Eyed Jacks.
Jun 1, 2015 — A legionnaire turned fruit seller misses out on Germany’s economic miracle in Rainer Werner Fassbinder’s breakthrough melodrama.
Mar 16, 2015 — Director and star Robert Montgomery suffuses his moody 1947 New Mexico–set noir with palpable postwar anxiety and expressive fatalism.
Jan 26, 2015 — Scenes without endings, sounds without corresponding images, actions without seeming motivation—Lucrecia Martel’s sense-heightening debut offers a cinema of subtraction.
Nov 11, 2013 — A boldly silent film in the talkie era, Charlie Chaplin’s masterpiece has a grace that has never been equaled.