To Beep Or Not To Beep

Jul 30, 2019 — One Scene Though he works in the highly stylized realm of the horror genre, Ari Aster’s acute attention to the fraught dynamics of intimate relationships—evident in his psychologically penetrating new film Midsommar—makes it easy to see how he draws inspiration...

Jun 24, 2019 — A work of rapturous energy, John Cameron Mitchell’s beloved debut feature is a freewheeling rock-and-roll musical suffused with heartbreak and pleasure.

May 29, 2019 — Once again, Lav Diaz and Takashi Miike did what they do; but the Fortnight also showcased a wide range of promising talent.

May 28, 2019 — Nadine Labaki’s jury has selected an eclectic range of award winners from this year’s program.

May 20, 2019 — Triple crosses follow double crosses in this slick crime thriller.

May 19, 2019 — The Austrian director, a Cannes regular, is in competition for the first time with a chilly tale of a happiness-inducing flower.

May 2, 2019 — When I first saw My Brilliant Career, when it was released in New York in 1980, I was ignorant of director “Gill” Armstrong. I assumed she was a man, because at the time I could count the female directors I...

Apr 15, 2019 — It’s one thing to have wild cinematic ambitions, and quite another to pursue them without a strong technical skill set and years of apprenticeship in the craft. But from the beginning of his career, the twenty-nine-year-old, mostly self-taught filmmaker Bi...

Feb 5, 2019 — Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...

Jan 22, 2019 — Elaine May is a writer and filmmaker and actor and improviser, but beyond that, she is an artist whose career-long quest for truth has driven her to create work that has taken many forms but always sought to cast aside...