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The White Game

Sep 7, 2018 For the Criterion Channel original series Art-House America, now playing on FilmStruck, we recently visited the Texas Theatre in Dallas, a venue that became infamous as the site where Lee Harvey Oswald was arrested and now hosts a variety of imaginative...

Harsh Visions

The Daily

Oct 18, 2019 Maurice Pialat, Jean-Michel Basquiat, Béla Tarr, Robert Eggers, and Disney’s most notorious feature make for a rough and tumble week.

Dec 3, 2008 Gliding on silvery reels of steel, and tricked out with Lars von Trier’s panoply of visual effects, the film ravishes with its elaborately storyboarded tunnel vision.

The Mark of M

Essays

Dec 6, 2004 It’s hard to believe that M was made in 1931. If we allow for the fact that it’s in black and white, it is more engaging to the eye, more incisive in its irony, more firm in its grasp of...

Sep 5, 2024 Homegrown cinema makes a strong showing this year with new films from Sofia Bohdanowicz, Kazik Radwanski, and David Cronenberg.

Nov 2, 2022 The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.

Dec 12, 2012 Even with limited resources, Christopher Nolan proved a force to be reckoned with in his thrilling, auspicious debut.

Jan 17, 2023 One of contemporary cinema’s most provocative filmmakers launched his career with three deeply unnerving, deliriously genre-blending portraits of Europe.

Jan 29, 2024 Jurors, audiences, and critics seem to agree that 2024 is off to a promising start.

Why Che?

Essays

Jan 18, 2010 Steven Soderbergh’s Che depicts the two military campaigns that defined the rise and fall of Ernesto “Che” Guevara, hero of the Cuban Revolution, who became in death a global icon of militant leftism—and of inchoate adolescent rebellion. As the latter,...

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