The Criterion Collection
Mar 15, 2022 — The story of queerness in American cinema isn’t complete without the unusual case of These Three (1936) and The Children’s Hour (1961). Both films are based on Lillian Hellman’s 1934 play The Children’s Hour, inspired by an incident in which...
Feb 22, 2021 — Labor films are not where one typically goes when seeking love and grace. They are more often concerned with bodies subjected to torsion and the furrowed brow of someone who knows the cupboards are growing bare. Then there are the...
May 28, 2019 — Nadine Labaki’s jury has selected an eclectic range of award winners from this year’s program.
Features
Nov 5, 2013 — The author’s colorful interactions with the famously crusty filmmaker.
Jun 26, 2013 — On the life and work of the famous Czech author, and the pleasures and challenges of translating him.
Jun 18, 2012 — Theater’s ultimate autobiographer, Spalding Gray, and cinema’s invisible-man auteur, Steven Soderbergh, teamed up for an eye-opening movie monologue.
Apr 17, 2012 — When it was first released in 1977, ¡Alambrista! depicted something previously unseen in American fiction films—the lives of undocumented Mexican immigrants from their point of view. Though writer-director-cinematographer Robert M. Young was not Latino and didn’t speak Spanish, his film convincingly...
Essays
Oct 6, 2007 — In Gus Van Sant’s first feature, gayness—blind, unembarrassed homosexual lust—is the narrative’s driving force.
Oct 15, 2020 — Songbook According to Kraftwerk member Wolfgang Flür, it was toward the end of the group’s first U.S. tour when his bandmates Ralf Hütter and Florian Schneider grew fascinated by the phenomenon of American radio. Their time in the States had...
Essays
May 27, 2020 — In John Cassavetes’s Husbands, the director, Ben Gazzara, and Peter Falk play Gus, Harry, and Archie, three middle-aged, middle-class suburbanites who come together at the funeral of their close mutual friend Stuart, and, united in grief, commence drinking together. And...