The Criterion Collection
May 21, 2019 — Claire Denis’s Let the Sunshine In (2017) is one of the great films about middle-aged loneliness, specifically—though not exclusively—as women feel it. It’s not a dating movie, though there’s dating in it. And it’s not a feeling-sorry-for-oneself movie, though there are...
Apr 22, 2014 — Carl Theodor Dreyer’s spare and modern visual style perfectly complements this comic and soulful domestic comeuppance story.
Jan 25, 2012 — Creating an effect of pity and terror unique in Francesco Rosi’s cinema, The Moment of Truth ought by rights to be counted among his finest achievements. On its original release in 1965, Pauline Kael acclaimed “the beauty of rage, masterfully...
Aug 19, 2025 — In his fifth and sixth feature films, Edward Yang sought to uncover what was hidden in Taipei society, often in plain sight, looking past the city’s shiny skyline to the fault lines beneath the surface.
The Daily
Jul 3, 2024 — Pop Shakespeare, 100 years of Disney, and conversations with Isaac Julien and Steven Soderbergh are among this week’s highlights.
The Daily
Apr 26, 2018 — In the Year of the Pig (1968) With the fiftieth anniversary of the May ’68 upheaval weighing so heavily on the cultural hive mind at the moment, now’s the perfect time for a retrospective of work by the radical director...
The Daily
Aug 2, 2017 — “Jonathan Demme loved people,” begins Matt Prigge, writing for Metro US. “There are villains in his movies—most notably that charming aesthete Hannibal Lecter, who loved people, too, only as food. And his biggest hits were about strife: the hunt for...
Essays
Aug 20, 2001 — Carl Dreyer considers the work of art’s soul in this excerpt from Dreyer in Double Reflection.
May 29, 2012 — Harriet Andersson’s Monika is both an erotic object and an empowered female protagonist in Bergman’s groundbreaker.
Essays
Mar 27, 2012 — Coward and Lean? It may not sound as natural as Launder and Gilliat or Powell and Pressburger, perhaps because we don’t instinctively think of Noël Coward as a filmmaker or of David Lean as part of a team. But they...