The Criterion Collection
Jan 17, 2023 — One of contemporary cinema’s most provocative filmmakers launched his career with three deeply unnerving, deliriously genre-blending portraits of Europe.
Jan 10, 2023 — In its ambivalence toward its provocative themes, John M. Stahl’s groundbreaking exploration of racial identity demonstrates the insolubility of Hollywood’s representational conundrum.
Jan 3, 2023 — A work of pure, rigorous enchantment, the final film in Terry Gilliam’s “Trilogy of Imagination” employs old-fashioned technical wizardry to bring about its wall-to-wall visual astonishments.
The Daily
Jan 3, 2023 — With lists, polls, and remembrances, we look back once again to the year that was.
The Daily
Dec 29, 2022 — Martin Scorsese, Hayao Miyazaki, Catherine Breillat, Michael Mann, Christian Petzold, David Fincher . . .
On the Channel
Dec 28, 2022 — We’re getting real in January with a spotlight on cinema verité, a movement that revolutionized documentary filmmaking.
The Daily
Dec 14, 2022 — Anthology Film Archives presents a series of films that “are—explicitly or implicitly—reworkings of earlier films.”
Dec 13, 2022 — A departure from the tales of sex and violence that defined Black cinema in the early 1970s, Michael Schultz’s beloved coming-of-age film celebrates the emotional bonds among a group of young Black men.
Dec 6, 2022 — Known for their austerity and shocking moments of violence, the Austrian director’s first three films cultivate a kind of humanism in their dogged refusal to coddle the viewer.
Nov 22, 2022 — Spike Lee’s transcendent portrait of an American hero is an urgent call for the nation to live up to everything it claims to be.