The Criterion Collection
Apr 25, 2005 — Pietro Germi offers locomotive relief in this comedy about the horrors of inertia.
Essays
Feb 16, 2004 — Henri-Georges Clouzot took the standard ingredients of the Continental-Films detective movies and used them to make something darker and more complex—to make, in fact, the first classic French film noir.
Sep 29, 2003 — Rainer Werner Fassbinder dedicated his final energies to bringing the lost, gray years of postwar Germany back to life.
Essays
Aug 20, 2001 — Preston Sturges’s generous-hearted satire achieves a synthesis that is both terribly funny and deeply moving.
Essays
Aug 28, 2000 — The acclaimed humorist’s work sees the range of human folly sans romance and piety.
Oct 15, 2050 — Voice-over narration has existed since the beginnings of cinema and has been an integral part of some of the great masterworks of narrative film, from The Magnificent Ambersons to Double Indemnity to Jules and Jim to Taxi Driver. It spans...
Essays
Sep 8, 1998 — In David Lean’s Summertime, in which Rossano Brazzi seduces Katharine Hepburn—an aging, repressed Ohio “working girl” on vacation in Venice—the Continental lover reached his pinnacle and approached his end. In the next decade, he would be embodied by Marcello Mastroianni,...
Essays
Feb 18, 2025 — In her mainstream breakthrough, director Joan Micklin Silver envisions New York City through the eyes of a complicated, searching woman trying to figure out her place in the world.
Jul 17, 2024 — Glauber Rocha’s ambitious breakthrough film manifested the project of Cinema Novo, a new wave that sought to overcome the influence of Brazil’s colonial origins and find images and sounds that could reconceive the nation.
The Daily
Sep 25, 2019 — Adam Driver and Scarlett Johansson star as a couple whose breakup turns nasty at the hands of “the divorce-industrial complex.”