The Criterion Collection
Jan 26, 2021 — As awards season picks up its pace, we have news, too, from France and New York.
Jan 12, 2021 — In the course of selling or promoting a film, a director will invariably be asked, “What’s this movie really about?” The desired answer is usually predetermined—marketers want a concise, two-sentence hook; reporters want a sound bite; critics want a thesis...
The Daily
Jan 11, 2021 — Apted’s lasting legacy will be the Up series, one of the most moving and influential works of nonfiction ever made.
The Daily
Jan 5, 2021 — The director overcame anti-Semitism or misogyny to make such unique films as Hester Street and Chilly Scenes of Winter.
Jan 5, 2021 — The film begins at night. Under the credits, there are views from a car in motion, before four people arrive at a stately home in the woods. There is a married couple, François (Paul Frankeur) and Simone (Delphine Seyrig) Thévenot....
The Daily
Dec 4, 2020 — A landmark week for the industry has us looking back to past periods of tumult and change.
Features
Nov 20, 2020 — Standing before his friend Basil Hallward’s portrait of him, the paint barely dry, Dorian Gray implores to some unseen force: “If it were I who was to be always young, and the picture that was to grow old . ....
Nov 18, 2020 — The author of books on Ben Wheatley and the Coen brothers turns to one of the most lauded living filmmakers in American cinema.
Essays
Nov 17, 2020 — Consider Jim Jarmusch’s Ghost Dog: The Way of the Samurai (1999) as a very promiscuous romance picture above anything else—even if not all of its many objects of affection are what you might call properly human and there is no...
The Daily
Nov 9, 2020 — Critics find the story behind the writing of Citizen Kane steeped in all the glory and sleaze of Old Hollywood.