Glass

May 9, 2004 — With his vibrant chronicle of an Oedipal revolt, Volker Schlöndorff captures the source novel’s singular recreation of the German past.

Mar 13, 2004 — With uncharacteristic warmth and affection for human frailty, Ingmar Bergman raises the question of how love can possibly last forever.

Sep 29, 2003 — In May 1981, in the midst of shooting Lola, Rainer Werner Fassbinder sketched out his next film project: Sybille Schmitz. On the cover, he had written, “Story for a Feature Film*.” The asterisk pointed to this footnote: “It is possible...

Aug 18, 2003 — Ingmar Bergman’s chamber film is his most concentrated inquiry into the significance of religion, and of Lutheranism specifically.

Aug 18, 2003 — The third installment in Ingmar Bergman’s trilogy about religious faith sees the auteur coming to terms with the pious rigidity and strangled emotional life of his own upbringing.

Mar 18, 2003 — Director William Dieterle’s 1941 film adaptation of Stephen Vincent Benét’s short story “The Devil and Daniel Webster” is a melodramatic fever dream, a hallucinatory tour de force.

Feb 14, 2002 — Robert Bresson’s second feature is fixed in history as one of the movies that heralded an austere, modernistic way of seeing and feeling.

Jun 4, 2001 — Mario Monicelli’s caper comedy is that genuine rarity in popular culture: a satire that not only helped kill off one movie genre, but started a whole new subgenre in the process.

Jun 3, 2001 — Jacques Tati’s singular satire is a series of giddy encounters between people and things in which the wonders of “modern life” relinquish their functionality in favor of an unaccountably rapturous beauty.

Apr 23, 2001 — Released in late 1938, Alexander Nevsky was not only the first sound film to be directed by Sergei Eisenstein, but the director’s political comeback as well. This most famous of Soviet artists had not completed a movie since The Old...