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Days of Hope

Feb 6, 2019 On the Criterion edition of Secret Sunshine, Lee Chang-dong describes his creative process as one of utter despair. That should come as no surprise to anyone who knows his work. Since making his feature debut, Green Fish, in 1997 at...

May 22, 2017 “Michael Haneke is back to many of his old tricks in Happy End, which enfolds the child psychopathy of Benny’s Video, the bourgeois nightmare of Hidden, the euthanasia theme of Amour, and the racial discomfort of Code Unknown into a...

May 17, 2017 With her son, Felix Moeller (Forbidden Films), Margarethe von Trotta (The Lost Honor of Katharina Blum, Hannah Arendt) will direct the documentary Ingmar Bergman – Legacy of a Defining Genius, reports Variety’s John Hopewell: “Exploring Bergman’s work with his closest...

Nov 4, 2025 The director of La commune and The War Game shook up viewers with dramatizations historical conflicts and imminent futures.

Aug 18, 2017 In this unsparing drama, Mike Leigh captures the grim mood of Thatcher’s England through the frustrations of a working-class London family.

Mar 6, 2017 To commemorate the anniversary of the late Polish master’s birth this week, critic Michał Oleszczyk pays tribute to his mercurial style, urgent political themes, and sly evasion of the censors.

Feb 1, 2021 Critics and programmers introduce the thirty titles lined up for the Tiger and Big Screen competitions.

Feb 13, 2024 Through its echoes, resonances, and intricately branching stories, this cycle of films evokes the feeling that life, like the weather, is based on patterns too complex to ever be fully predictable.

Apr 19, 2004 “Floating weeds, drifting down the leisurely river of our lives,” has long been a favored metaphor in Japanese prose and poetry. This plant, the ukigusa (duckweed in English), floating aimlessly, carried by stronger currents, is seen as emblematic of our...

Dec 10, 2022 Screening the Past returns, Another Screen presents films from Iran, and Céline Sciamma talks about the thirtieth greatest film of all time.

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