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Sep 8, 2022 — All the Beauty and the Bloodshed is the only nonfiction film competing in Venice—and Werner Herzog and Mark Cousins remain as busy as ever.

Sep 6, 2022 — Here’s an overview of how some of the contenders are faring with critics in Venice.

Aug 30, 2022 — A lyrical study of a farming community in Ethiopia, Jessica Beshir’s debut feature reckons with the consequences of the region’s reliance on the cash crop khat.

Aug 26, 2022 — Louise Brooks, Marguerite Duras, Lucrecia Martel, and Jacquelyn Mills headline this week’s roundup.

Aug 18, 2022 — This week’s announcements from Toronto and New York promise tantalizing world premieres and other highlights of the season.

Aug 17, 2022 — The music of the legendary, multiple-Oscar-winning composer brought the freedom and anxiety of postwar America to life.

Aug 16, 2022 — The big winners at the festival’s seventy-fifth edition were Julia Murat and first-time director Valentina Maurel.

Aug 12, 2022 — The sublime comedies of Ernst Lubitsch, a state-of-the-doc address, and the spectacular work of three graphic designers.

Aug 10, 2022 — Selections range from award-winners in Cannes, Berlin, and Sundance to promising titles heading first to Venice and Toronto.

Aug 9, 2022 — An indie pioneer whose life was cut tragically short, the Texas filmmaker found grace in the tedium of repressive small-town existence.