Bol

Feb 7, 2019 — Repertory Picks On Saturday evening, as part of the series A Tribute to Nicolas Roeg, the late, great director’s haunting 1973 masterpiece Don’t Look Now will show at the Brattle in Cambridge, Massachusetts, in 35 mm. (The film will be...

Feb 1, 2019 — A cast of dolls and a rhino are featured in this year’s award-winners, and Steven Soderbergh has previewed his new film.

Jan 22, 2019 — Elaine May is a writer and filmmaker and actor and improviser, but beyond that, she is an artist whose career-long quest for truth has driven her to create work that has taken many forms but always sought to cast aside...

Jan 3, 2019 — Repertory Picks Tomorrow, as part of its ongoing After Midnite series, the Coolidge Corner Theatre in Brookline, Massachusetts, will spool up a 35 mm print of Akira Kurosawa’s Yojimbo for a late-night screening. With this 1961 classic—made after he had...

Dec 29, 2018 — Polls and ballots, lists and considered reflections give shape to the year that was.

Dec 20, 2018 — Repertory Picks Starting tomorrow, Janus Films will bring Marcel Pagnol’s The Baker’s Wife to New York’s Film Forum for a weeklong stay, before whisking the movie to select cities around the country in the New Year. With this slice of...

Dec 17, 2018 — Secrets from the past are always surfacing in melodramas, altering or illuminating the landscape of the present. So it seems fitting that director John M. Stahl, one of Hollywood’s great masters of melodrama, had a past that is only now...

Dec 14, 2018 — “It’s sad to say, but women do not have much importance in westerns,” observed Anthony Mann, a master of the genre, in a 1957 Cahiers du cinéma interview. Made that same year, Samuel Fuller’s Forty Guns begins with a whopper...

Dec 13, 2018 — The Berlinale will premiere new work by Angela Schanelec and Denis Côté, Rotterdam’s got an opener, and Steven Soderbergh will preview his latest at Slamdance.

Dec 12, 2018 — As the commanding presence at the center of Samuel Fuller’s wild feminist western Forty Guns, the great Barbara Stanwyck taps into the tough, no-nonsense bearing she’d honed on-screen since the late twenties, playing the part of a corrupt rancher who...