The Criterion Collection
Jun 27, 2005 — Kô Nakahira’s taboo-busting melodrama heralded a reinvention of Japanese cinema.
Sep 29, 2003 — In May 1981, in the midst of shooting Lola, Rainer Werner Fassbinder sketched out his next film project: Sybille Schmitz. On the cover, he had written, “Story for a Feature Film*.” The asterisk pointed to this footnote: “It is possible...
Essays
Jun 23, 2003 — One of the most unusual features of Italian cinema of the late ’50s and ’60s is the way that it affords us multiple perspectives on the same event, namely the economic boom following the postwar recovery. Where the directors of...
Essays
May 26, 2003 — Despite its modest claims, Volker Schlöndorff’s twelfth film—about the near-civil war that raged in the Baltic provinces in the early twenties—is a jewel among his creations.
Essays
Apr 28, 2003 — Federico Fellini both identifies with and satirizes the provinciality that forms his romantic comedy's central subject.
Jan 6, 2003 — Ernst Lubitsch set the screwball comedy standard, treating hard-on material with dignified aplomb and a combination of suaveness, hilarity, and sexiness.
Jun 24, 2002 — Oscar Wilde’s play is brought to the screen lovingly and meticulously by one of the great eccentrics of the British cinema, Anthony “Puffin” Asquith.
Essays
Oct 15, 2001 — Preston Sturges’s beloved comedy provides insights into the way Hollywood formulas work on us.