The Criterion Collection
Sep 28, 2010 — “The past, again and again.” —Major Jack Celliers, Merry Christmas Mr. Lawrence Nagisa Oshima’s filmmaking career began with the risen sun—or rather, with the promise of a sun soon to rise: Tomorrow’s Sun (1959), a dizzyingly designed faux “coming attraction”...
Essays
Sep 15, 2008 — Max Ophuls’s 1952 comedy celebrates existence by presenting a world full of unresolvable contradictions.
May 26, 2008 — Though producer Alexander Korda’s adventure movie forms part of a continued tradition of representing the East by purposefully occluding the reality of it, it celebrates the Arabian fantasy as a site of childlike wonder.
Essays
Jan 21, 2008 — As late as 1970, Alf Sjöberg’s boldly experimental 1951 adaptation of August Strindberg’s play was declared as inaugurating “a new cinematic language.”
Mar 16, 2007 — The first of his films to be shown outside Japan, Ichikawa Kon’s twenty-seventh feature dramatically raised the director’s profile.
Jan 22, 2007 — Forget the Beatles vs. Elvis: for me the world is divided into Karloff people and Lugosi people, and I’m in the Karloff clique. Bela Lugosi’s oversize mannerisms and thickly accented drawl have always seemed camp to me, while Boris Karloff’s...
Dec 5, 2005 — René Clément’s masterpiece is dedicated to the radical Freudian proposal that living matter seeks the comfort of oblivion.
May 26, 2003 — Transcription of a speech given by long-time Derek Jarman collaborator and friend, actress Tilda Swinton
Jan 14, 2008 — As Japan was coming out of World War II, Akira Kurosawa was coming into his own as a filmmaker.