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The director of The Inspection tells us why Jane Wyman is “a whole mood,” why Douglas Sirk is his dude, and which film will forever change the way you see curtains.

While in town for the New York premiere of Marie Kreutzer’s Corsage, the acclaimed actor visited Criterion to film an interview for our edition of Mia Hansen-Løve’s Bergman Island and to take a trip inside our closet.

The acclaimed cinematographer of Amores perros, The Irishman, 25th Hour, and Silence uses his selections to talk about the details of cinematic lighting, color, and sound design.

In town for the New York premiere of his documentary Is That Black Enough For You?!?, the critic and filmmaker selects some of his favorite movies, including a few that opened up new possibilities in Black cinema.

The great documentary filmmaker chooses a group of films that embody some of the qualities he tries to bring to his own work, including straight-faced comedy and the mixture of literal and abstract elements.

The legendary director—whose latest film, EO, is Poland’s official entry for Best International Feature Film at the 95th Academy Awards—picks a few movies from our closet, including classics by his friends Jan Němec and Andrzej Wajda.

While in New York City for a theatrical run of his 1984 film The Runner, the Iranian filmmaker took a trip into our closet, where he gravitated to ambitious, sprawling works like A Brighter Summer Day and Dekalog.

The director of Bull Durham sings the praises of a few favorite movies, reminisces about an unforgettable encounter with Billy Wilder, and shares a piece of filmmaking wisdom.

The director of Orlando highlights movies that made her realize there’s nothing better to be than a filmmaker.

The comedian, actor, and podcaster picks up a couple of classic westerns, a favorite movie that has long eluded his comprehension, and a John Waters film he considers “one of the only weapons against fascism we have.”