HIM

Feb 15, 2019 — New restorations, a new trailer, new translations, a new publication, and new perspectives on an awesome and abhorrent film.

Feb 11, 2019 — Thomas Heise, Stephan Geene, and Lei Lei innovatively reconstruct stories from the not-so-distant past.

Feb 4, 2019 — All four of this year’s top prizewinners have been directed or codirected by women.

Jan 31, 2019 — Repertory Picks Tomorrow, two of Jackie Chan’s most furiously entertaining blockbusters will swing their way back into theaters, as Police Story (1985) and Police Story 2 (1988) begin a run at Brooklyn’s Alamo Drafthouse in new 4K restorations, courtesy of...

Jan 30, 2019 — An exhibition, a film series, and of course, If Beale Street Could Talk are markers of heightened interest in the writer, activist, and cinephile.

Jan 25, 2019 — This week features major new resource on The Magnificent Ambersons, Godard’s allusions, and Ilya Khrzhanovsky’s multimedia extravaganza.

Jan 24, 2019 — Repertory Picks Next Tuesday afternoon, the Los Angeles County Museum of Art will spotlight the high-energy high jinks of Harold Lloyd, as two of the silent comedian’s most beloved classics, The Freshman and Speedy, play back-to-back in the Bing Theater....

Jan 22, 2019 — The Forum will also launch new films by Dan Sallitt, Heinz Emigholz, Sofia Bohdanowicz and Deragh Campbell, and Thomas Heise.

Jan 17, 2019 — Repertory Picks Today, at 7 p.m., the Maxwell Theatre at Georgia’s Augusta University will play host to Whit Stillman’s The Last Days of Disco (1998), following afternoon screenings of the two other comedies, Metropolitan (1990) and Barcelona (1994), that make...

Jan 8, 2019 — A few lingering observations on the films of 2018 from Slate’s Movie Club, the New York Times, and more.