The Criterion Collection
Essays
Mar 11, 1991 — The long absent comic essence of the silent era was suddenly revived in the hands of lovable and wildly antic filmmaker Jacques Tati.
Essays
Mar 12, 1990 — This Fred Astaire-Ginger Rogers film is a classic example of how music and dance can be used to tell a story, express emotions, richly explore human relationships, subvert logic, and send us singing and skipping into the street.
Essays
Mar 5, 1990 — Vittorio De Sica’s neorealist masterwork is one of the greatest portraits of old age and loneliness ever brought to the screen.
Essays
Dec 11, 1989 — Previous rock-and-roll movies had been little more than showcases for the latest music, aimed at exploiting the youth market, cheaply made and melodramatic—then along came one of the most finely crafted films ever made about rock-and-roll.
Essays
Dec 11, 1989 — Michelangelo Antonioni’s classic divided film history into that which came before and that which was possible after its epochal appearance.
Essays
Aug 24, 1989 — Yasujiro Ozu’s favorite theme of the stresses and strains of parent-child relationships figure prominently in this story of a raggle-taggle theater troupe giving its final performances in a small fishing village.
Feb 29, 1988 — Marx Brothers aficionados have argued for years over the relative merits of A Night at the Opera and the “purer” Marx movies such as Duck Soup. Certainly there’s no comparison on a point-by-point basis: Duck Soup is a classic of...