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Mar 12, 2018 — As part of The Eyes of William Klein, the series running through tomorrow, the Quad presents Louis Malle’s Zazie dans le Métro (1960) tonight, the reason being, as Jon Dieringer points out at Screen Slate, Klein was “given the title...

Mar 9, 2018 — Ryan Coogler is on the cover of the new March/April 2018 issue of Film Comment, and Devika Girish writes about how “the mythology of Black Panther is keenly attuned to the present even as it undoes the past: it is...

Mar 8, 2018 — Let’s start with some festival news, primarily because a big one, SXSW, is opening tomorrow in Austin. Jay Duplass is on the cover of the new issue of the Austin Chronicle, which features a whopping preview package. “Few filmmaker names...

Mar 8, 2018 — This weekend, Winston-Salem’s a/perture cinema screens the greatest popular and critical success of François Truffaut’s late career.

Mar 8, 2018 — The first item to be mentioned is Martin Scorsese’s post on Instagram the other day: “That’s a wrap!” Principal photography on The Irishman, starring Robert De Niro, Al Pacino, Joe Pesci, Anna Paquin, Bobby Cannavale, Harvey Keitel, and Ray Romano,...

Mar 8, 2018 — “The cinephiles attending the twenty-third edition of Rendez-Vous With French Cinema at the Film Society of Lincoln Center this year may relate a little too hard to Jean-Paul Civeyrac’s new film, A Paris Education, about a movie-obsessed young man named...

Mar 7, 2018 — The two big film festivals of April, one for each coast, have made major lineup announcements. The Tribeca Film Festival has rolled out all of its feature titles for its seventeenth edition, running from April 18 through 29. Last month,...

Mar 7, 2018 — A Wrinkle in Time, the adaptation of Madeleine L’Engle’s 1962 science fiction classic, “directed by Ava DuVernay from a screenplay by Jennifer Lee and Jeff Stockwell, has been a long time coming,” writes A. O. Scott in the New York...

Mar 7, 2018 — Acclaimed cinematographer Ed Lachman introduces Ulrich Seidl’s trio of unnerving explorations of desire, abjection, and womanhood in contemporary Europe.

Mar 6, 2018 — Scholar Donald Petrie delves into how inspired choices in casting and cinematography gave Tony Richardson’s Oscar-winning period comedy its modern sensibility.