The Criterion Collection
Essays
Apr 13, 2010 — Indefatigably political Italian filmmaker Gillo Pontecorvo, best known for 1966’s truly revolutionary The Battle of Algiers, once stated that “the ideal director should be three-quarters Rossellini and one-quarter Eisenstein.” Certainly, one can see traces of the work of both of...
Sep 19, 2005 — When I was a teenage cinephile, in the mid-1970s, Masculin féminin was enormously significant to me. It represented France’s nouvelle vague of the sixties, with its youthful, anarchic spirit of freedom and spontaneity. It was in black and white and...
Feb 16, 2004 — Ronald Neame’s Tunes of Glory (1960), which was widely admired when it was first released, has subsequently kept a low profile. This says more about critical attitudes and British film culture than it does about the quality of the movie....
On the Channel
May 14, 2026 — Channel Calendars This month on the Criterion Channel, set out on an epic journey with our Odysseys collection, or revisit the foundational Bond classics that introduced the silver screen’s most iconic superspy. A spotlight on Courtney Love’s acting career reveals...
The Daily
Jul 30, 2025 — The Cinematheque presents seven chilling and thrilling classics and one 3D oddity.
The Daily
Oct 3, 2024 — The winner of the top prize in San Sebastián, Serra’s first nonfiction feature screens at the New York Film Festival.
The Daily
May 12, 2023 — This week: Swiss anarchists, Spanish analogue filmmakers, Warren Sonbert, and Jerzy Skolimowski.
The Daily
Nov 1, 2022 — The independent publisher launches a two-volume collection and a film series in New York.
The Daily
Mar 29, 2021 — Filmmakers, programmers, and critics remember a man who “embodied the spirit of cinema as robustly as anyone ever has.”