The Criterion Collection
Sep 29, 2003 — Rainer Werner Fassbinder dedicated his final energies to bringing the lost, gray years of postwar Germany back to life.
Aug 18, 2003 — The two versions of Vittorio De Sica’s neorealist romance offer case studies in Hollywood and European sensibilities as they existed in the early 1950s.
Jun 23, 2003 — A very brief history of the seminal documentary by Alain Resnais
Essays
Jun 23, 2003 — One of the most unusual features of Italian cinema of the late ’50s and ’60s is the way that it affords us multiple perspectives on the same event, namely the economic boom following the postwar recovery. Where the directors of...
Essays
Apr 28, 2003 — Federico Fellini both identifies with and satirizes the provinciality that forms his romantic comedy's central subject.
Apr 28, 2003 — The sense of the difficulty of a real assumption of adulthood gives François Truffaut’s final Antoine Doinel film an undercurrent of anguish, despite its surface lightness.
Apr 28, 2003 — François Truffaut’s short Antoine Doinel film exposes an entire universe of male adolescent experience.
Essays
Mar 10, 2003 — Vilgot Sjöman’s cultural-sexual sensation sparked much critical and popular mayhem, only to be consigned to nearly instantaneous oblivion.
Dec 9, 2002 — What makes Jean-Luc Godard’s classic so unique a viewing experience today, even more than in 1963, is the way it stimulates an audience’s intelligence as well as its senses.