In Time

Jul 27, 2017 — Charlie Chaplin’s Monsieur Verdoux is one of the most unsettling comedies of its era and a brilliant showcase for his talent for mixing modes of comedic performance.

May 26, 2017 — “How on earth is she going to keep this up?” asks Little White Lies’ David Jenkins. “That’s the question, posed internally, that sprang to mind while watching the gently delightful debut feature Jeune femme [Montparnasse Bienvenue]. The ‘she’ is ambiguous...

May 19, 2017 — Let’s open today’s round of interviews with one from the archives, a conversation with Michelangelo Antonioni that originally ran in Corriere della Sera in 1982 but evidently took place during the final stages of shooting Blow-Up (1966). It’s been translated...

Aug 26, 2015 — Here’s an item of interest to everybody who feels Bob Dylan’s words are pure gold. Like last year, when Dylan’s original handwritten lyrics for “Like a Rolling Stone” were sold for over two million dollars at Sotheby’s, an original typewritten...

Aug 20, 2015 — You may recognize Jason Polan’s often wacky, always charming drawings from our newsletter emails. But the artist, whose illustrations have also been published in the New Yorker, Metropolis, and the New York Times, has his sights set on more than...

Bilal Qureshi is an essayist and broadcaster whose criticism and reporting have appeared in Film Quarterly, the Washington Post, and the New York Times and on the BBC and NPR.

Charles Taylor writes about movies for the Yale Review and teaches creative writing and journalism at New York University. He is a member of the National Society of Film Critics, and his work has also appeared in the Los Angeles...

Nov 26, 2024 — An animated menagerie teams up to survive a postapocalyptic flood in this wordless adventure.

Jun 12, 2024 — This summer, we’re bringing back one of our favorite seasonal themes with a hard-boiled Neonoir collection. Plus: Pop Shakespeare, Times Square, and Columbia Screwball.

Aug 6, 2021 — At a perilous moment in the history of the western, a series of films by Budd Boetticher and Randolph Scott stood out for their no-nonsense lucidity.