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Oct 13, 2009 This week marks the publication of Jonathan Lethem’s new novel, Chronic City, another captivating journey through mysterious New York with a host of peculiar characters (and a sci-fi twist), including a certain cinephile who finds his way into the offices of...

Oct 12, 2009 Man is Not a Bird: Flying Away The term “independent cinema” has lost its punch in recent years, from overuse and misapplication. One need only look to the films of Dušan Makavejev for a reminder of its true meaning. This...

Sep 30, 2009 Agnès Varda’s 1962 New Wave masterpiece Cléo from 5 to 7 has gotten a dramatic reinterpretation from Annie-B Parson and Paul Lazar, stage directors and founders of New York’s Big Dance Theater. Comme Toujours Here I Stand—which premiered in April...

Sep 22, 2009 One enters any major film festival with hopes of discovering a budding auteur, a new voice from some previously unheard-from part of the world—a Julián Hernández or Corneliu Porumboiu or Bong Joon-ho. At this year’s Toronto International Film Festival, however,...

Sep 17, 2009 Almost twenty years before they enacted such splendid suffocation in Max Ophuls’s swoony masterpiece The Earrings of Madame de . . . , the agelessly glamorous Charles Boyer and Danielle Darrieux first starred together in another tear-jerking big-screen romance. Giving...

Sep 17, 2009 Le jour se lève was Marcel Carné’s fourth collaboration with screenwriter and poet Jacques Prévert and their third entry in the poetic realism cinema movement, following their vanguard Drôle de drame and Port of Shadows. Both of those films were...

Sep 15, 2009 Words are the trained fleas in David Mamet’s sidewalk circus—dirty words, often bloodstained, usually swarming, that perform their acrobatic stunts for gawkers who will likely get their pockets picked. That’s the reputation, anyhow. More than thirty years after he made...

Aug 24, 2009 Whit Stillman took a risk when he set his third film during (and titled it after) the disco era, whose erstwhile existence, from almost the moment it ended, has seemed to embarrass most Americans more than Watergate. One would think...

Aug 18, 2009 In the late 1970s, during the long years of waiting for international and domestic funding to come together to produce Kagemusha, Akira Kurosawa returned to the pastime of his youth—he painted. Working fast and furiously, each day turning out scores...

Jul 21, 2009 Jean-Luc Godard’s essay follows twenty-four hours in Juliette’s life, beginning and ending in the evening in the apartment she shares with her husband and two young children.

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