As director

Oct 1, 2015 — We may live in a world overloaded with lists, but certain list makers can’t be ignored. Case in point: director Errol Morris has been invited to this year’s International Documentary Film Festival Amsterdam to present ten nonfiction films he finds...

Sep 21, 2015 — This week, veteran director Bruce Beresford joins the collection with Breaker Morant and Mister Johnson, two early twentieth-century period pieces about colonialism and its destructive legacies. Beresford (seen above on the set of Mister Johnson) has been making movies for...

Sep 14, 2015 — In his latest column, Peter Cowie reflects on his friendship with our beloved cofounder.

Sep 11, 2015 — Laura Poitras has proven to be one of the most daring and necessary voices in contemporary documentary cinema with such works as The Oath and the Oscar-winning Citizenfour. So we’re excited to hear that she, along with her fellow documentarian...

Sep 3, 2015 — Wes Craven, who died this week at age seventy-six, was a horror master with few equals in contemporary American movies. The director of A Nightmare on Elm Street and Scream may not often be spoken of in the same breath...

Aug 5, 2015 — Night and the City was made in 1950, under circumstances almost as tense as those in the film. Knowing he was about to be blacklisted during the Communist witch hunts of the McCarthy era, director Jules Dassin fled to London,...

Aug 3, 2015 — On film noir’s unparalleled roster of resonant titles—Kiss of Death, Out of the Past, and Where Danger Lives, to name three—none is more emblematic or iconographically cogent than Night and the City. Juxtaposing two of noir’s essential, virtually ontological qualities,...

Jul 30, 2015 — It is now thirty years since the release of Stephen Frears’s film, which was both a product of and a response to the social and political landscape of 1980s Britain and depicted the lives of Pakistani immigrants with wit and...

Jul 27, 2015 — 1. My Beautiful Laundrette launched a number of careers: that of writer Hanif Kureishi, soon to be regarded as one of the most important voices of his generation; those of producers Tim Bevan and Sarah Radclyffe, whose then fledgling company, Working...

Jul 13, 2015 — “I think that in a few years, in ten, in twenty, or thirty years, we shall know whether Hiroshima mon amour was the most important film since the war, the first modern film of sound cinema.” That was Eric Rohmer,...