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Ik-Film

Sep 11, 2018 There is a brief, nearly throwaway scene early in Olivier Assayas’s Cold Water (1994) that testifies to the transcultural power of rock and roll. In an apartment outside Paris in 1972, we see two teenage brothers wrestling over a portable...

Sep 10, 2018 One of the pleasures of programming a new short-and-feature pairing every week on the Criterion Channel is getting to celebrate the artistic freedom that short films offer emerging artists. With tighter run times and smaller budgets, the form comes with...

Sep 10, 2018 Hopes were high in Venice this year, and for the most part, they seem to have been fulfilled.

Sep 9, 2018 Under the Influence Whether he’s exploring the dynamics of a family in crisis or putting his own spin on the body horror genre, Norwegian director Joachim Trier always returns to the subjective experience of time and memory as a central...

Sep 8, 2018 The star of over a hundred movies wielded his laid-back charisma to conquer the box office throughout the 1970s.

Sep 7, 2018 For the Criterion Channel original series Art-House America, now playing on FilmStruck, we recently visited the Texas Theatre in Dallas, a venue that became infamous as the site where Lee Harvey Oswald was arrested and now hosts a variety of imaginative...

Sep 7, 2018 F ew filmographies encapsulate the rebellious spirit of American cinema in the seventies better than that of Hal Ashby, who crafted an astonishing string of movies that stretched across the span of the decade. Finding success as an editor early...

Sep 7, 2018 Hoberman on Romero, Anderson on Godard, Gallagher on Ford, filmmakers’ top fifties, and more.

Sep 6, 2018 New films by Jennifer Kent, Jacques Audiard, Paul Greengrass, and Pablo Trapero.

Sep 5, 2018 It took a while for Paul Feig—the director behind such smash-hit comedies as Bridesmaids and Spy—to come around to the darker side of cinema. Back in his college days, the filmmaker appreciated the superior technique of the dramas and foreign films he saw in his...

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