The Pinchcliffe Grand Prix

Feb 3, 2020 — Young filmmakers from Asia have won over audiences and juries alike at this year’s festival.

Jan 30, 2020 — Elisabeth Moss plays Shirley Jackson, but Decker’s fourth feature is anything but a conventional biopic.

Jan 24, 2020 — In 2017, writer-director Paul Schrader was enjoying one of the peaks of his storied career with the release of First Reformed, a deeply unnerving drama that grapples with his perennial themes of sin, guilt, and faith. During the production of...

Jan 23, 2020 — One of the most audacious voices to emerge in American independent cinema in the last decade, photographer turned filmmaker Khalik Allah trains his lens on communities of color rarely captured on the big screen. Whether celebrating the complexities of Jamaican...

Jan 13, 2020 — Soon after completing his 1928 silent masterpiece The Passion of Joan of Arc, Danish filmmaker Carl Theodor Dreyer turned his attention to a genre he had not yet explored on-screen, undertaking to make a horror movie that was, in his...

Jan 10, 2020 — How do movies work? It’s a question that seems to have been on more than a few minds this week.

Dec 20, 2019 — This week we’re spotlighting directors’ and writers’ appreciations of other directors and writers, plus Céline Sciamma and Agnès Varda.

Dec 17, 2019 — She worked with Rivette, Fassbinder, and Visconti, but of course, any discussion of her illustrious career will always circle back to Godard.

Dec 10, 2019 — Colleagues, students, and other admirers remember an essential figure of film and media studies.

Dec 6, 2019 — Serge Daney on Sergei Parajanov, James Quandt on Robert Bresson, and Cristina Álvarez López and Adrian Martin on Maurice Pialat are among this week’s highlights.