Jul 8, 2015 Steve Blauner, one of the founders of BBS, the production company that produced Five Easy Pieces, The Last Picture Show, The King of Marvin Gardens, and more, died last month at age eighty-one. We were lucky enough to sit down...

Jul 7, 2015 Our recollections of Robert Siodmak’s 1946 movie The Killers are apt to center on three primary elements: Ernest Hemingway’s story, so literally brought to the screen in the film’s opening scenes; Ava Gardner, carrying the full weight of that late-forties...

Jul 6, 2015 The Killers (1946) is exemplary film noir from Robert Siodmak, who, on the strength of three films—this, Phantom Lady (1944), and Criss Cross (1949)—stands beside his fellow European exiles Fritz Lang and Otto Preminger as one of noir’s crucial directors....

Jul 2, 2015 Les Blank’s A Poem Is a Naked Person, in theaters courtesy of Janus Films, is a major rediscovery. Now playing at New York’s Film Forum before expanding to cities across the United States, including Salt Lake City, Los Angeles, San...

Jun 29, 2015 This work of hallucinatory lyricism was one of the final and freest expressions of the rule-flouting New Wave movement in Czechoslovakia.

Jun 25, 2015 German director Bernhard Wicki proved his uncommon cinematic skill with his heartbreaking tale of teen soldiers sent off to die near the end of World War II.

Jun 24, 2015 PerformancesThe late character actor Michael Jeter had a profound effect on me as a child, but as with so many things, I didn’t realize it until I was an adult. Twenty-five years ago this month, I saw my first Tony...

Jun 22, 2015 Terry Gilliam touches down in the real world for the first time with this fanciful tale of blurred class boundaries in New York City.

Jun 17, 2015 Taking the form of a casual conversation, Louis Malle’s film about transformative experiences is an outgrowth of its writer-stars’ experimental theater days.

Jun 17, 2015 From a shrewd adaptation by André Gregory and Wallace Shawn, Jonathan Demme fashions a visually inventive dreamscape out of an Ibsen classic.

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