The Criterion Collection
Essays
Jun 21, 1999 — Despite what you may have heard, Armageddon is a work of art by a cutting-edge artist who is a master of movement, light, color, and shape—and also of chaos, razzle-dazzle, and explosion. (It was no surprise to me to learn...
Mar 6, 2024 — The reviews are strong, and one excerpt focuses on the influential film pages.
Sep 13, 2018 — The imitation of nature becomes a devotional act in Terrence Malick’s cinema, which reaches sublime heights in this exploration of childhood, memory, and grief.
Essays
May 15, 2000 — Twenty-five years after its first appearance, Bergman’s film of The Magic Flute remains the finest screen version of an opera ever produced. Shot in sumptuous color by Sven Nykvist, and featuring some of the finest Nordic singers of the day,...
The Daily
Jul 13, 2022 — With a new book, an exhibition, and a film series, writer and curator Ekow Eshun celebrates Black speculative art and fiction.
The Daily
Jul 8, 2021 — Some critics find it better than Synonyms, and while others don’t, everyone agrees that this is the Israeli director’s “most radical movie yet.”
The Daily
Oct 7, 2020 — The NYFF’s program of five short works is currently screening virtually through Saturday.
Jul 30, 2019 — One Scene Though he works in the highly stylized realm of the horror genre, Ari Aster’s acute attention to the fraught dynamics of intimate relationships—evident in his psychologically penetrating new film Midsommar—makes it easy to see how he draws inspiration...
Apr 5, 2017 — At eighty-eight years old, Agnès Varda is still blossoming as an artist. Long known primarily as a filmmaker, a vocation she took up more than half a century ago, the French iconoclast is now in what she gleefully describes as...