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Can-Can

Jan 29, 2001 Invisible monsters suck out your brains! And that’s just for starters.

Dec 18, 2000 Elegant humor cloaks despair in Luis Buñuel’s masterwork, wherein greedy characters flee their toxic lives and find refuge in the loneliness of dreams.

The Blob

Essays

Nov 13, 2000 Featuring what may be the only 1950s monster that could not be destroyed, this cult classic warns parents to listen to their kids because the world they understood and controlled is over.

Pygmalion

Essays

Sep 18, 2000 Serving as codirector with Anthony Asquith, Leslie Howard found one of the finest roles of his career in this witty adaptation written by George Bernard Shaw.

W. C. Fields

Essays

Aug 28, 2000 The acclaimed humorist’s work sees the range of human folly sans romance and piety.

Aug 28, 2000 Alberto Lattuada’s gifts for dramatic narrative were joined for the first and last time with Federico Fellini’s flair for cartoonish satire and lyrical sentiment.

Jun 26, 2000 Brief Encounter was the fourth and final film that David Lean made in association with Noël Coward. Derived from Still Life, a one-act play which Coward included in the portmanteau Tonight 8:30, the story tells of a suburban housewife, Laura...

Jun 26, 2000 Kevin Smith writes about his third feature as a sort of penance/valentine for the woman who made him grow up.

May 15, 2000 Agnes Varda’s Cléo from 5 to 7, the first fully-achieved feature by the woman who would become the premiere female director of her generation, dazzled when it opened, and looks even more timely today in its tackling of the fashionable...

Vagabond

Essays

May 15, 2000 Vagabond has been called Agnès Varda’s Ulysses, and with good reason. The comparison with James Joyce’s era-defining epic novel extends well beyond a recognizable similarity between the two artists. Both writer and filmmaker occupy vanguard positions in the history of...

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