Oct 6, 2020 Critics split over a chase movie drenched in lush ambiance.

A Week and a ½

The Daily

Oct 2, 2020 This wild week we’re celebrating William Greaves, watching Denis Lavant dance, and listening to Léonce-Henry Burel’s juicy stories about Robert Bresson.

Oct 1, 2020 Martin Scorsese’s World Cinema Project No. 3 The film world and ordinary people(s) in the four corners of the globe have long awaited the home-video release of Soleil Ô (Oh, Sun, 1970), the groundbreaking feature debut of one of Africa’s...

Sep 30, 2020 Martin Scorsese’s World Cinema Project No. 3 More than eight decades since its release, Dos monjes (1934) continues to invite reappraisals, as much for its expressionist style—exceptional within Mexican cinema—as for its nonlinear narrative and for the creative contributions of...

Sep 30, 2020 Martin Scorsese’s World Cinema Project No. 3 Pixote (1980), subtitled A lei do mais fraco (The Law of the Weakest), a hard-hitting tale of urban street children and their daily battle for survival in brutal conditions, was the Argentine-born Brazilian...

Sep 29, 2020 In this masterpiece from the father of modern Indonesian cinema, Usmar Ismail, a violent military culture grips the nation in the years following a brutal revolution.

Sep 25, 2020 This week there’s a new Film Quarterly and a new frieze and fresh conversations with Jan Oxenberg and Paul Cronin.

Production Resumes

The Daily

Sep 24, 2020 Taking all the necessary precautions, Paul Thomas Anderson, Jacques Audiard, and Paolo Sorrentino are back at work.

Sep 24, 2020 Under the Influence Certain movies have such a profound impact on us in our formative years that they go on to resonate in unexpected ways throughout our lives. For Miranda July, one such film is Steven Soderbergh’s sex, lies, and videotape (1989), which...

Empty Theaters

Features

Sep 23, 2020 First Person 1.In the past years I’ve often walked or bicycled alone to the small multiplex in my town, on weeknights. I like sitting by myself in movie theaters—I specify “by myself” to indicate my preference for going unaccompanied, as...

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