The Criterion Collection
Jan 28, 2020 — Motherhood is a recurring subject in the films of Pedro Almodóvar. The mothers in his movies are fierce, passionate, and resourceful—often in varying combinations, and to varying extremes. In Almodóvar’s darkly satirical fourth feature, What Have I Done to Deserve...
The Daily
Oct 4, 2019 — Artists’ and amateurs’ videos, Ida Lupino, and TIFF Cinematheque programmers’ notes all figure in this week’s round.
The Daily
Feb 5, 2019 — The festival focuses on promising filmmakers few of us know much about yet and neglected treasures from the archives.
The Daily
Nov 29, 2018 — The largest retrospective in the U.S. yet is on through mid-December.
The Daily
Oct 29, 2018 — With Lee Chang-dong’s latest film opening in U.S. theaters, we take a look at the second wave of critical response.
On the Channel
May 20, 2018 — A lifelong movie collector remembers the thrill of discovering the granddaddy of all monsters on Super 8.
May 1, 2018 — Working within the strict rules and tight budget of a commissioned television project, one of France’s finest contemporary directors made an artistic breakthrough that would go on to define his career.
On the Channel
Mar 20, 2018 — Graphic artist and filmmaker Sam Ashby, whose short The Colour of His Hair is featured on the Criterion Channel this week, speaks with us about a turbulent moment in UK queer history.
On the Channel
Nov 3, 2016 — Our first Friday Night Double Feature on the Criterion Channel pairs two chilling serial-killer films: Fritz Lang’s M and Jonathan Demme’s The Silence of the Lambs.
Dec 8, 2015 — In Speedy, Harold Lloyd, a comic genius who thought of himself as a quintessentially average American man, places his optimistic everyman character within the context of a society in shift, to great comedic effect.