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Three Friends

One Work, Two Days

The Daily

Jun 23, 2021 C. W. Winter and Anders Edström’s eight-hour The Works and Days (of Tayoko Shiojiri in the Shiotani Basin) comes to Los Angeles and New York in July.

Jun 16, 2021 For the cover image of our edition of Hou Hsiao-hsien’s opulent masterpiece, the award-winning illustrator combined traditional Chinese figure-drawing styles with a distinctly modern approach to color and composition.

Jun 10, 2021 As the festival presents its program to the public, now is a good time to discover the bounty at the Forum’s newly revamped site.

Jun 4, 2021 The festival returns with a full-to-bursting official selection that includes an entirely new program.

May 5, 2021 Deep Dives THE LIFE OF THE LANDIS PERPETUATEDIN RIGHTEOUSNESS one of the protest signs depicted (poetically, upside down) in The Sand Island Story Victoria Keith was a high school teacher, in 1976, when she heard about the pending eviction of two farming communities on Oahu’s East Shore....

Apr 29, 2021 Seven features in this year’s New Directors/New Films lineup premiered in Rotterdam’s Tiger competition.

Apr 22, 2021 Monte Hellman In 1965, Monte Hellman took a cast and crew to a desert in Utah and shot two westerns back to back. With The Shooting and Ride in the Whirlwind, Hellman introduced an existential dread and a Beckettian sense...

Worlds Away

Features

Apr 21, 2021 First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...

Apr 9, 2021 Uncovering “The Naked City,” Bruce Goldstein’s scintillating chronicle of The Naked City’s groundbreaking New York location shoot, is more than the best “where-they-filmed-it” doc ever made. As Goldstein wittily traces director Jules Dassin’s Gotham roots and influences, this twenty-three-minute documentary—now...

Apr 6, 2021 The new issue spotlights some of the most notable films from this year’s Berlinale—and more.

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